My practice explores bonds of care between humans, dogs, and machines, examining how technologies, infrastructures, and relations of dependency shape contemporary forms of life.

Drawing on both artistic research and my experience as a social worker, I investigate questions of care, access, and class. I am interested in who cares for whom, under which conditions, and how care is organized, distributed, and made visible. Rather than understanding care solely as an ethical relation, I approach it as a material, social, and infrastructural condition.

My recent work examines artificial intelligence not simply as a tool for image generation but as part of wider technological systems that reorganize labour, intimacy, service, and access to resources. I am particularly interested in the invisible infrastructures that sustain digital image production its dependence on energy, extraction, cooling, and maintenance and in how these conditions mirror broader questions of class, visibility, and social inequality.

Working with AI-generated imagery, moving images, found materials, photography, and installation, I create speculative environments in which bodies, animals, architectures, and technologies continuously shape one another:

Abandoned buildings, synthetic surfaces, archives, and cooling systems frequently become sites where care, preservation, memory, and decay intersect.

Rather than treating humans, dogs, or machines as separate entities, my work focuses on the relations through which they co-constitute one another. I am interested in how technological systems reshape not only images but also forms of coexistence, asking who is sustained, who becomes disposable, and whose labour and resources remain hidden beneath seemingly immaterial technologies.