Artist Statement

I am an artist working across video, installation, performance, photography, and artistic research.

My practice explores bonds of care between humans, dogs, and machines, examining how technologies, infrastructures, and relations of dependency shape contemporary forms of life.

Drawing on both artistic research and my experience as a social worker, I investigate questions of care, access, and class. I am interested in who cares for whom, under which conditions, and how care is organized, distributed, and made visible. My work approaches care not only as a human practice but as a relational condition that emerges between bodies, technologies, animals, and environments.

My recent projects engage with artificial intelligence, digital image production, and networked infrastructures as material and political environments rather than neutral tools. Through speculative narratives, moving images, found materials, and spatial installations, I explore forms of coexistence between humans, animals, images, and technical systems.

Themes of care, maintenance, preservation, memory, and survival recur throughout my work.

Attentive to class relations and the conditions that shape access to resources and technologies, I examine the often invisible infrastructures that sustain contemporary life.

Rather than treating humans, dogs, or machines as separate entities, I focus on the bonds, dependencies, and forms of mutual shaping through which they continuously constitute one another.